Sunday, February 08, 2009

What I Missed


As I made breakfast for my kids today, I discovered that I missed what may have been one of the great musical moments of our still-young century.

Recently, we unlocked Motorhead's "Ace of Spades" on Rock Band 2. My kids' and my Rock Band 2 band "Psycho Neighbor" haven't yet been able to play this anthem together yet for various reasons-- last night, it was because I was at work, and my step-daughter has had limited singing due to the tail end of an illness. However, Adam was in luck-- our friends Wendy and Guido were over, along with Mel's best friend Anya and her seven-year-old sister Julia. Adam, hell-bent on playing drums to this metal classic, recruited Julia to sing while he pounded the skins. History will surely regret that nobody got this moment on a camera, when a teenager clad in a Ramones t-shirt beat out the savage rhythm of "Ace of Spades," while a seven-year-old girl screamed:

You know I'm born to lose, and gambling's for fools,
But that's the way I like it baby,
I don't wanna live for ever,
And don't forget the joker!


Since we missed that magic moment on video last night, we'll have to content ourselves with the great clip of Motorhead, when they showed up to play their classic in the living room of "The Young Ones" in 1984.

James Whitmore, Character Actor Extrodinaire


I was saddened the other day by the passing of actor James Whitmore. He was a solid character actor who had hundreds of parts in movies and television shows. He was also known for a stage show, "Give 'Em Hell, Harry!," about President Harry Truman. Younger folks might remember him best as the elderly prison librarian who has trouble adjusting to life outside prison in The Shawshank Redemption.

For me, though, Whitmore holds a place in my heart as an important part of my son's childhood. Whitmore starred, along with James Arness (later Marshall Dillion in Gunsmoke) in Them!, a 1954 sci-fi classsic about giant ants, created by the first nuclear test at Almagardo, New Mexico, attacking Los Angeles. In a post a couple of years ago, one of my earliest posts, I recounted my son's early childhood obsession with the movie, and how it ended up being responsible for a piece of of great art.

Friday, February 06, 2009

That's Why They Call Him Dick

I hear again and again that comedian Jon Stewart has the best news show. Here's proof.

And why does Cheney have to be such a dick?

The Warming Trend Friday Random Ten

We had a harsh January here in Chicago-- really, really cold and lots of snow. It's supposed to warm up this weekend. I'm all for it.

A couple of other bloggers have mentioned the loss of Lux Interior, singer of the Cramps. RIP, Lux. Thanks for psychobilly memories.

1. Things We Said Today- The Beatles
2. Get Together- The Youngbloods
3. I've Never Been To Spain- Three Dog Night
4. Roller Derby Queen- Jim Croce
5. Boogie- A Taste of Honey
6. In Dreams- Roy Orbison
7. Stray Cat Blues- The Rolling Stones
8. Back In the Saddle Again- Aerosmith
9. The Man In Black- Johnny Cash
10. Goodbye, Little Darlin'- Johnny Cash



1. Some early Beatles
2. This song has become an anthem of the sixties. I hate hearing it in commercials.
3. One of many songs Hoyt Axton penned for others: "The Pusher," by Steppenwolf, the "No, No Song" by Ringo Star and another hit for Three Dog Night, "Joy To The World." It must have run in the family; his mother co-wrote Elvis' "Heartbreak Hotel."
4. I read recently that Roller Derby is making a come-back. Holy seventies, Batman!
5. Disco one-hit wonders
6. This song is a showcase for Roy Orbison's incredible vocal range. And it's also embedded in bizzaro-pop culture, thanks to David Lynch's "Blue Velvet."
7. The Stones at their delicious nastiest.
8. Aerosmith at their drug-addled best.
9. Johnny Cash explaining his mono-color wardrobe.
10. ...and more Johnny Cash!

Thursday, February 05, 2009

Rockin' Your Thursday Away, New York Dolls, "Looking For a Kiss"

Finally, this year, after decades, "Looking For a Kiss" bumped "Personality Crisis" from first place as my favorite song on the New York Dolls' self-titled first album.



The sound is a little tinny in the video, but the performance is great.

A few months ago, I chased down the lyrics of the song with the idea of doing it in a family hootenanny with my kids, and realized, for the first time, that it's the tale of a guy explaining his preference for nookie over smack. I'd never caught the "When everyone goes to your house, they shoot up in your room" part. The song will make for a nice wholesome family evening.

Singer David Johansen, who shares a birthday with two other great rockers, Elvis Presley and David Bowie, just turned 59 last month. He has what may be my favorite rock and roll quote, when he said of the Dolls:

"We like to look 16 and bored shitless."

Wednesday, February 04, 2009

Occasional Forgotten Video, Jesus Jones, "Right Here, Right Now"

A few days ago, I was talking to someone about things that have passed in my lifetime that I never thought would. This included the fall of the Berlin Wall, and of course, an African-American US President. Wish I would have thought about this one inauguration week, but better late than never.

The thought occurred to me that some of the youngsters who voted for Obama were actually born after the Berlin Wall came down.

Ironically, it was Hillary Clinton who used the song in her campaign.



Jesus Jones, originally from London, is still around. "Right Here, Right Now," from their first album, was a #2 hit in the United States. Their second and third albums sold well, but not as well as the first. They took an extended break and began recording again every few years.

"Right Here, Right Now" has been used in commercials and television shows, and a remix of the song was a club hit for producer Robbie Rivera in 2005.

Tuesday, February 03, 2009

A Whole Different Meaning

Someone at work pointed out that "White House Stimulus Package" would have a whole different meaning if Bill Clinton were still President.

Monday, February 02, 2009

Book Recommendation: "Dream Brother: The Lives and Music of Jeff & Tim Buckley"


Sometime last year, one of my customers at the restaurant was reading David Browne's book "Dream Brother: The Lives and Music of Jeff & Tim Buckley," and I took note of it. I had known of Tim Buckley for years, and had loved Jeff Buckley's 1994 album "Grace." The fact that both father and son, who had had little contact in life, were both very talented-- and came to early ends-- was very haunting to me.

Tim Buckley was a sixties and seventies artist who was pretty much the textbook definition of a cult artist. He never sold a lot of records, but songs like Morning Glory and Pleasant Street brought about the classic "small but devoted" following. As the sixties rolled over into the seventies, Buckley seemed hellbent on decreasing his commercial viability, veering into jazz-influenced extended jams. As his record company threatened to end its relationship with him, he knuckled down and tried to produce some commercially viable music, to no avail. He was able, though, to make a pretty good living through touring.

Ironically, it was while touring that he actually took it easy on the drugs and alcohol that were to lead to his death in 1975 at the age of 28.

Jeff Buckley was the product of Tim's marriage to his high school sweetheart. The marriage soured around the time the Buckley's wife became pregnant with Jeff (known in his childhood as Scott) and Tim's career began taking off. Browne does a nice job examining the dynamics of the relationship between Tim Buckley and his ex-wife, who remarried twice. Buckley and his ex-wife both lived in the Los Angeles area, but it wasn't until Jeff was 7 or 8-- around the time of Tim's death-- that Tim started establishing a relationship with Jeff.

Jeff's childhood was tumultous. There was an island of stability, when Jeff's mother married a really good guy who stepped up to bat and raised Jeff like his own child. That marriage and then another foundered, and Jeff's life was mostly filled with economic difficulties and frequent moves. He finally ended up going to school at the same Orange County high school that his father had gone to-- a school filled with jocks, and none too friendly to a shy, sensitive artistic kid.

Jeff took an early interest in music, and spent years trying to avoid comparison to his father. This was difficult; as you can see from the book cover, he looked astonishingly like his father. If you've ever heard their records, they also had very similar beautiful high-pitched voices. They shared both astonishing vocal ranges and a high degree of musical intelligence.

Tim's demise came at the end of a tour; before he even went home, he stopped and drank and did drugs with friends. He made it home and died in his bed. Ironically, when he was on tour, he avoided drugs and alcohol, pointing out that his voice was his way of making a living. Jeff, on the other hand, who friends said avoided drugs and alcohol as a youth, experimented with them while on tour. The book cites an infamous show here in Chicago at the legendary Green Mill (a nightclub once owned by Al Capone), where Chicago Tribune critic Greg Kot mentioned how intoxicated Jeff appeared to be (he was, according to the book).

Jeff's demise, though, had nothing to do with drugs or alchohol, but an impulsive act. He was living in Memphis in 1997, preparing to record his followup to Grace, when he jumped into the Wolf River, near Memphis, fully clothed, to swim. Had he asked locals about it, they would have warned him that the river had dangerous currents. While a friend/roadie stood nearby, a barge passed by Buckley and he went under. His body was found several days later.

Afterward, there was a fight over his remaining music. He'd started to record with Tom Verlaine (of the legendary group Television), but was unsatisfied with the results. Some of the sessions made it onto a record, Sketches For My Sweetheart The Drunk, and are wonderful, though some were from preliminary recordings, and not perfect sound-wise.

If you have any interest in the art of either Jeff or Tim Buckley, I highly recommend Dream Brother. It's well-written and fascinating. And do yourself a favor-- get ahold of some of both Jeff and Tim's music. You'll be glad you did.